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Italy’s would-be strongman suddenly looks more vulnerable - Salvini stumbles
But nothing is predictable about Italian politics
Aug 15th 2019 | ROME
HUBRIS (*) IS AN occupational hazard for political leaders. Two of Italy’s recent prime ministers, Silvio Berlusconi and Matteo Renzi, stumbled just when it seemed they could do whatever they wanted. (Mr Renzi wanted to change the constitution; Mr Berlusconi wanted to hold “bunga bunga” sex parties. In both cases, voters objected.)
(*) tracotanza, insolenza, alterigia.
Questa è facile:
Suddenly, I'm not half the man I used to be
There's a shadow hanging over me
Oh, yesterday came suddenly
Questa è un po' più di nicchia, da un "famoso" disco audiofilo:
Song off the live album, "Big World". The album was recorded in front of an invited audience at the Roundabout Theatre in New York City on 22--25 January 1986. Jackson's intent was to capture the excitement and spontaneity of a live performance, but without any noise from the crowd. The audience remained silent during the recording as per Jackson's request, so we do not hear any applause. In the manner of a remote broadcast, the music was mixed live from microphones on each musical instrument and sent directly to a stereo digital tape recorder. Unlike most remote recordings, no post-recording mixing or overdubbing was performed.
But nothing is predictable about Italian politics
Aug 15th 2019 | ROME
HUBRIS (*) IS AN occupational hazard for political leaders. Two of Italy’s recent prime ministers, Silvio Berlusconi and Matteo Renzi, stumbled just when it seemed they could do whatever they wanted. (Mr Renzi wanted to change the constitution; Mr Berlusconi wanted to hold “bunga bunga” sex parties. In both cases, voters objected.)
(*) tracotanza, insolenza, alterigia.
Questa è facile:
Suddenly, I'm not half the man I used to be
There's a shadow hanging over me
Oh, yesterday came suddenly
Questa è un po' più di nicchia, da un "famoso" disco audiofilo:
Song off the live album, "Big World". The album was recorded in front of an invited audience at the Roundabout Theatre in New York City on 22--25 January 1986. Jackson's intent was to capture the excitement and spontaneity of a live performance, but without any noise from the crowd. The audience remained silent during the recording as per Jackson's request, so we do not hear any applause. In the manner of a remote broadcast, the music was mixed live from microphones on each musical instrument and sent directly to a stereo digital tape recorder. Unlike most remote recordings, no post-recording mixing or overdubbing was performed.
